Posted in Film Criticism

Bringing Up Baby (BFI Film Classics)

By Peter Swaab

Directed by way of Howard Hawks in 1938, Bringing Up Baby is without doubt one of the nice screwball comedies and a treasure from the Golden Age of Hollywood. Cary provide performs a naive and repressed professor who turns into entangled with (and ensnared by way of) a willful heiress performed via Katharine Hepburn. Chaos ensues as romance blossoms and never one yet leopards are set unfastened in verdant Connecticut. in addition to being a completely American fiction of the 1930s, citing Baby additionally has a classical comedian narrative, exploring conflicts among civilization and nature, rationality and madness or eccentricity, middle-class inhibitions and aristocratic blitheness. it's an anthology of comedian varieties and units, and the most seductively humorous motion pictures ever made.

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The War of the Worlds (BFI Film Classics)

By Barry Forshaw

One of many key technological know-how fiction motion pictures of the Nineteen Fifties, George good friend and Byron Haskin's The battle of the Worlds (1953) was once one in every of just a handful of costly, high-prestige technology fiction productions in an period while reasonable financial system used to be the established order for such fare. The movie single-handedly initiated sleek cinema's reliance on groundbreaking, screen-filling lighting tricks, let alone marvelous wholesale destruction, and have become a template for almost each alien invasion movie that used to be to keep on with. during this illuminating exploration of the movie, Barry Forshaw illuminates the way it reinvents the narrative of HG Wells' political novel and freights in undercurrents of its personal approximately American society. interpreting the film's literary origins and its various movie progeny, Forshaw situates it because the such a lot whole cinematic realisation of the 'collapse of civilisation' subject matter - inaugurated through Wells and consequently explored by means of British technology fiction writers akin to John Wyndham and JG Ballard - thus far.

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Pepe le Moko (BFI Film Classics)

By Ginette Vincendeau

Pépé le Moko (1937), directed by means of Julien Duvivier from the radical through Roger Ashelle and starring Jean Gabin, is the epitome of 1930's French cinema. It tells the tale of the glamorous gangster Pepe, trapped within the Casbah in Algiers. This hugely romantic and atmospheric mystery was once the most important to the improvement of French movie noir and encouraged a few remakes and plenty of imitations. Vincendeau's meticulous research, written in a full of life and obtainable variety, areas Pépé le Moko in its aesthetic, favourite and cultural contexts.

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Motion(less) Pictures: The Cinema of Stasis (Film and Culture Series)

By Justin Remes

Conducting the 1st accomplished research of movies that don't circulation, Justin Remes demanding situations the primacy of movement in cinema and assessments the theoretical limits of movie aesthetics and illustration. analyzing experimental motion pictures resembling Andy Warhol's Empire (1964), the Fluxus paintings Disappearing song for Face (1965), Michael Snow's So Is This (1982), and Derek Jarman's Blue (1993), he exhibits how immobile movies defiantly exhibit the static whereas collapsing the limits among cinema, images, portray, and literature.

Analyzing 4 different types of static film--furniture motion pictures, designed to be seen partly or distractedly; protracted movies, which use super sluggish movement to provoke stasis; textual movies, which foreground the static show of letters and written phrases; and monochrome motion pictures, which exhibit a box of monochrome colour as their image--Remes maps the interrelations among circulate, stillness, and period and their hardship of cinema's traditional functionality and results. Arguing all motion pictures spread in time, he indicates period is extra primary to cinema than movement, starting up clean inquiries into film's manipulation of temporality, from rigidly based works to these with extra ambiguous and open-ended frameworks. Remes's dialogue integrates the writings of Roland Barthes, Gilles Deleuze, Tom Gunning, Rudolf Arnheim, Raymond Bellour, and Noel Carroll and should entice scholars of movie concept, experimental cinema, intermedia reviews, and aesthetics.

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Groundhog Day (BFI Modern Classics)

By Ryan Gilby

From Amazon: "It is changing into clearer and clearer that Groundhog Day (1993), directed by way of Harold Ramis, is likely one of the masterpieces of Nineties Hollywood cinema. one of many first motion pictures to take advantage of a science-fiction premise because the foundation for romantic comedy, it tells the tale of a splenetic television weatherman, Phil Connors (Bill Murray at his disreputable best), who unearths himself indefinitely repeating one drab day in Punxsutawney, Pennsylvania. The movie is a deeply ambivalent delusion: prior to he unearths redemption Phil needs to plumb the depths of suicidal despair--and even after he has survived this, there are not any promises that he'll dwell fortunately ever after. Ryan Gilbey starts off his account of Groundhog Day with the lengthy and unfortunate gestation of the script via Danny Rubin, who was once interviewed for this ebook. Gilbey celebrates the encouraged casting of Murray, Andie MacDowell, and no more recognized actors corresponding to Stephen Tobolowsky. In a sophisticated research, he unpacks the film's outstanding mixture of humor and depression, revealing Groundhog Day to be an extraordinary beast--a mainstream Hollywood comedy that grows richer with each one repeat viewing. Ryan Gilbey writes on movie for the self reliant, the father or mother, and Sight and Sound and is writer of It Don't fear Me (2004)."

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The Reluctant Film Art of Woody Allen

For 5 a long time, no American filmmaker has been as prolific―or as paradoxical―as Woody Allen. From Play It back, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced a typical of 1 movie a yr; but in lots of of those video clips Allen finds a gradually skeptical perspective towards either the worth of paintings and the cultural contributions of artists.

In this moment version Peter J. Bailey extends his vintage research to contemplate Allen's paintings through the twenty-first century. He illuminates how the director's choice to go away long island to shoot in eu towns equivalent to London, Paris, Rome, and Barcelona has affected his craft. He additionally explores Allen's shift towards more youthful actors and translates the evolving severe response to his films―authoritatively demonstrating why the director's lifelong venture of moviemaking continues to be perpetually deserving of cautious cognizance.

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Pan's Labyrinth (BFI Film Classics)

Del Toro's cult masterpiece locates the giant inside of fairytales and hyperlinks it to the very actual horrors of post-Civil battle Spain. This ebook explores the film's cross-cultural and old contexts, and its groundbreaking use of historical myths and folklore. it's also an interview with del Toro concerning the genesis and construction of the film.

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